<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	
	xmlns:georss="http://www.georss.org/georss"
	xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#"
	>

<channel>
	<title>Archives des Richard Marizy - Profession Spectacle</title>
	<atom:link href="https://www.profession-spectacle.com/tag/richard-marizy/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.profession-spectacle.com/tag/richard-marizy/</link>
	<description>Le journal des professionnels du spectacle vivant</description>
	<lastBuildDate>Sat, 07 Jul 2018 08:22:10 +0000</lastBuildDate>
	<language>fr-FR</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.5.3</generator>

<image>
	<url>https://www.profession-spectacle.com/wp-content/uploads/2022/04/cropped-logo-principal-1-32x32.png</url>
	<title>Archives des Richard Marizy - Profession Spectacle</title>
	<link>https://www.profession-spectacle.com/tag/richard-marizy/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">100719093</site>	<item>
		<title>« Le Dossier Mona Lina » : huis clos paranoïaque</title>
		<link>https://www.profession-spectacle.com/le-dossier-mona-lina-huis-clos-paranoiaque/</link>
					<comments>https://www.profession-spectacle.com/le-dossier-mona-lina-huis-clos-paranoiaque/#respond</comments>
		
		<dc:creator><![CDATA[Tony Parodi]]></dc:creator>
		<pubDate>Thu, 12 Jul 2018 04:04:32 +0000</pubDate>
				<category><![CDATA[A la une]]></category>
		<category><![CDATA[Critiques]]></category>
		<category><![CDATA[de Films]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[Doraid Liddawi]]></category>
		<category><![CDATA[Eran Riklis]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Golshifteh Farahani]]></category>
		<category><![CDATA[Haluk Bilginer]]></category>
		<category><![CDATA[Le Dossier Mona Lina (2017)]]></category>
		<category><![CDATA[Lior Ashkenazi]]></category>
		<category><![CDATA[Mark Waschke]]></category>
		<category><![CDATA[Neta Riskin]]></category>
		<category><![CDATA[Richard Marizy]]></category>
		<category><![CDATA[Ronald Kukulies]]></category>
		<category><![CDATA[Sebastian Edschmid]]></category>
		<category><![CDATA[Yehuda Almagor]]></category>
		<category><![CDATA[Yonathan Riklis]]></category>
		<guid isPermaLink="false">https://www.profession-spectacle.com/?p=28930</guid>

					<description><![CDATA[<a href="https://www.profession-spectacle.com/le-dossier-mona-lina-huis-clos-paranoiaque/" title="« Le Dossier Mona Lina » : huis clos paranoïaque" rel="nofollow"><img width="90" height="90" src="https://www.profession-spectacle.com/wp-content/uploads/2018/07/Eran-Riklis-Le-Dossier-Mona-Lina-avec-Golshifteh-Farahani-Neta-Riskin-e1530951571282-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Eran Riklis, Le Dossier Mona Lina, avec Golshifteh Farahani, Neta Riskin" style="display: block; margin-bottom: 10px; clear:both;max-width: 100%;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.profession-spectacle.com/wp-content/uploads/2018/07/Eran-Riklis-Le-Dossier-Mona-Lina-avec-Golshifteh-Farahani-Neta-Riskin-e1530951571282-90x90.jpg 90w, https://www.profession-spectacle.com/wp-content/uploads/2018/07/Eran-Riklis-Le-Dossier-Mona-Lina-avec-Golshifteh-Farahani-Neta-Riskin-e1530951571282-440x440.jpg 440w, https://www.profession-spectacle.com/wp-content/uploads/2018/07/Eran-Riklis-Le-Dossier-Mona-Lina-avec-Golshifteh-Farahani-Neta-Riskin-e1530951571282-150x150.jpg 150w" sizes="(max-width: 90px) 100vw, 90px" /></a><p>Naomi (Neta Riskin) est une agent du Mossad qui peine à se reconstruire après la tragédie qu&#8217;elle a vécue. Son chef, Gad (Lior Ashkenazi), lui propose une mission a priori sans risque : être la babysitteur de Mona (Golshifteh Farahani), une taupe exfiltrée du Hezbollah durant sa convalescence après l&#8217;opération esthétique qu&#8217;elle vient de subir [&#8230;]</p>
<p>L’article <a href="https://www.profession-spectacle.com/le-dossier-mona-lina-huis-clos-paranoiaque/">« Le Dossier Mona Lina » : huis clos paranoïaque</a> est apparu en premier sur <a href="https://www.profession-spectacle.com">Profession Spectacle</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.profession-spectacle.com/le-dossier-mona-lina-huis-clos-paranoiaque/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">28930</post-id>	</item>
	</channel>
</rss>
