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	<title>Archives des Bodega Films - Profession Spectacle</title>
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		<title>“La communion” : Daniel, de la prison au (rêve de) sacerdoce</title>
		<link>https://www.profession-spectacle.com/la-communion-daniel-de-la-prison-au-reve-de-sacerdoce/</link>
					<comments>https://www.profession-spectacle.com/la-communion-daniel-de-la-prison-au-reve-de-sacerdoce/#respond</comments>
		
		<dc:creator><![CDATA[Chacun cherche son film]]></dc:creator>
		<pubDate>Mon, 02 Mar 2020 06:50:46 +0000</pubDate>
				<category><![CDATA[A la une]]></category>
		<category><![CDATA[Critiques]]></category>
		<category><![CDATA[de Films]]></category>
		<category><![CDATA[Aleksandra Konieczna]]></category>
		<category><![CDATA[Anna Biernacik]]></category>
		<category><![CDATA[Aurum Film]]></category>
		<category><![CDATA[Bartosz Bielenia]]></category>
		<category><![CDATA[Bodega Films]]></category>
		<category><![CDATA[Bogdan Brzyski]]></category>
		<category><![CDATA[Eliza Rycembel]]></category>
		<category><![CDATA[Evgueni Galperine]]></category>
		<category><![CDATA[Jan Komasa]]></category>
		<category><![CDATA[La communion (2020)]]></category>
		<category><![CDATA[Les Contes Modernes]]></category>
		<category><![CDATA[Leszek Lichota]]></category>
		<category><![CDATA[Lidia Bogacz]]></category>
		<category><![CDATA[Mateusz Pacewicz]]></category>
		<category><![CDATA[Piotr Sobociński Jr]]></category>
		<category><![CDATA[Przemysław Chruścielewski]]></category>
		<category><![CDATA[Sacha Galperine]]></category>
		<category><![CDATA[Tomasz Zietek]]></category>
		<category><![CDATA[Łukasz Simlat]]></category>
		<guid isPermaLink="false">https://www.profession-spectacle.com/?p=226764</guid>

					<description><![CDATA[<a href="https://www.profession-spectacle.com/la-communion-daniel-de-la-prison-au-reve-de-sacerdoce/" title="“La communion” : Daniel, de la prison au (rêve de) sacerdoce" rel="nofollow"><img width="90" height="90" src="https://www.profession-spectacle.com/wp-content/uploads/2020/02/10-DSC04737-scaled-e1582555029915-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Bartosz Bielenia La communion Jan Komasa" style="display: block; margin-bottom: 10px; clear:both;max-width: 100%;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.profession-spectacle.com/wp-content/uploads/2020/02/10-DSC04737-scaled-e1582555029915-90x90.jpg 90w, https://www.profession-spectacle.com/wp-content/uploads/2020/02/10-DSC04737-scaled-e1582555029915-440x440.jpg 440w, https://www.profession-spectacle.com/wp-content/uploads/2020/02/10-DSC04737-scaled-e1582555029915-150x150.jpg 150w" sizes="(max-width: 90px) 100vw, 90px" /></a><p>Daniel, un jeune garçon violent et tourmenté, se fait passer pour un prêtre à son arrivée dans un village de Pologne. Un film très sombre et non sans ironie dresse un portrait glacé de la campagne polonaise, et plus généralement du combat entre le Bien contre Mal, dont les frontières sont souvent si troubles. . [&#8230;]</p>
<p>L’article <a href="https://www.profession-spectacle.com/la-communion-daniel-de-la-prison-au-reve-de-sacerdoce/">“La communion” : Daniel, de la prison au (rêve de) sacerdoce</a> est apparu en premier sur <a href="https://www.profession-spectacle.com">Profession Spectacle</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">226764</post-id>	</item>
		<item>
		<title>“The reports on Sarah and Saleem” : émancipation israélo-palestinienne</title>
		<link>https://www.profession-spectacle.com/the-reports-on-sarah-and-saleem-emancipation-israelo-palestinienne/</link>
					<comments>https://www.profession-spectacle.com/the-reports-on-sarah-and-saleem-emancipation-israelo-palestinienne/#respond</comments>
		
		<dc:creator><![CDATA[Chacun cherche son film]]></dc:creator>
		<pubDate>Fri, 10 May 2019 06:20:26 +0000</pubDate>
				<category><![CDATA[A la une]]></category>
		<category><![CDATA[Critiques]]></category>
		<category><![CDATA[de Films]]></category>
		<category><![CDATA[Amer Khalil]]></category>
		<category><![CDATA[Bashar Hassuneh]]></category>
		<category><![CDATA[Bodega Films]]></category>
		<category><![CDATA[Charlie Rishmawi]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Frank Gelat]]></category>
		<category><![CDATA[Hanan Hillo]]></category>
		<category><![CDATA[Ishai Golan]]></category>
		<category><![CDATA[Mohammad Eid]]></category>
		<category><![CDATA[Muayad Alayan]]></category>
		<category><![CDATA[Palestine]]></category>
		<category><![CDATA[Rami Musa Alayan]]></category>
		<category><![CDATA[Sebastian Bock]]></category>
		<category><![CDATA[Sivane Kretchner]]></category>
		<category><![CDATA[Tarek Abu Salameh]]></category>
		<category><![CDATA[The reports on Sarah and Saleem]]></category>
		<guid isPermaLink="false">https://www.profession-spectacle.com/?p=40437</guid>

					<description><![CDATA[<a href="https://www.profession-spectacle.com/the-reports-on-sarah-and-saleem-emancipation-israelo-palestinienne/" title="“The reports on Sarah and Saleem” : émancipation israélo-palestinienne" rel="nofollow"><img width="90" height="90" src="https://www.profession-spectacle.com/wp-content/uploads/2019/05/The-reports-on-Sarah-and-Saleem-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Mohammad Eid, Muayad Alayan, The reports on Sarah and Saleem, Palestine" style="display: block; margin-bottom: 10px; clear:both;max-width: 100%;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.profession-spectacle.com/wp-content/uploads/2019/05/The-reports-on-Sarah-and-Saleem-90x90.jpg 90w, https://www.profession-spectacle.com/wp-content/uploads/2019/05/The-reports-on-Sarah-and-Saleem-440x440.jpg 440w, https://www.profession-spectacle.com/wp-content/uploads/2019/05/The-reports-on-Sarah-and-Saleem-150x150.jpg 150w" sizes="(max-width: 90px) 100vw, 90px" /></a><p>Partant d’une triviale histoire de coucherie, Muayad Alayan signe avec The reports on Sarah and Saleem un très beau film sur le récit de deux émancipations féminines. . Sarah et son mari David vivent à Jérusalem. Il est militaire, elle est gérante d’un café en centre-ville. Alors que son affaire marche bien, Sarah est menacée [&#8230;]</p>
<p>L’article <a href="https://www.profession-spectacle.com/the-reports-on-sarah-and-saleem-emancipation-israelo-palestinienne/">“The reports on Sarah and Saleem” : émancipation israélo-palestinienne</a> est apparu en premier sur <a href="https://www.profession-spectacle.com">Profession Spectacle</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">40437</post-id>	</item>
		<item>
		<title>« O Grande Circo Místico » : cent ans de multitude</title>
		<link>https://www.profession-spectacle.com/o-grande-circo-mistico-cent-ans-de-multitude/</link>
					<comments>https://www.profession-spectacle.com/o-grande-circo-mistico-cent-ans-de-multitude/#respond</comments>
		
		<dc:creator><![CDATA[Tony Parodi]]></dc:creator>
		<pubDate>Sun, 02 Sep 2018 22:20:43 +0000</pubDate>
				<category><![CDATA[A la une]]></category>
		<category><![CDATA[Critiques]]></category>
		<category><![CDATA[de Films]]></category>
		<category><![CDATA[Bodega Films]]></category>
		<category><![CDATA[Bruna Linzmeyer]]></category>
		<category><![CDATA[Carlos Diegues]]></category>
		<category><![CDATA[Catherine Mouchet]]></category>
		<category><![CDATA[Chico Buarque]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[Edu Lobo]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[George Moura]]></category>
		<category><![CDATA[Gustavo Hadba]]></category>
		<category><![CDATA[Jesuíta Barbosa]]></category>
		<category><![CDATA[O Grande Circo Místico]]></category>
		<category><![CDATA[Rafael Lozano]]></category>
		<category><![CDATA[Vincent Cassel]]></category>
		<guid isPermaLink="false">https://www.profession-spectacle.com/?p=30363</guid>

					<description><![CDATA[<a href="https://www.profession-spectacle.com/o-grande-circo-mistico-cent-ans-de-multitude/" title="« O Grande Circo Místico » : cent ans de multitude" rel="nofollow"><img width="90" height="90" src="https://www.profession-spectacle.com/wp-content/uploads/2018/08/O-Grande-Circo-Místico-film-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="O Grande Circo Místico film" style="display: block; margin-bottom: 10px; clear:both;max-width: 100%;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.profession-spectacle.com/wp-content/uploads/2018/08/O-Grande-Circo-Místico-film-90x90.jpg 90w, https://www.profession-spectacle.com/wp-content/uploads/2018/08/O-Grande-Circo-Místico-film-440x440.jpg 440w, https://www.profession-spectacle.com/wp-content/uploads/2018/08/O-Grande-Circo-Místico-film-150x150.jpg 150w" sizes="(max-width: 90px) 100vw, 90px" /></a><p>Une impératrice soi-disant vierge (Catherine Mouchet) et un docteur cardiaque (Antonio Fagundes) ont un fils, Fred (Rafael Lozano), qui, à la mort de son père, décide avec son héritage d&#8217;acheter un cirque à Beatriz (Bruna Linzmeyer), la femme qu&#8217;il aime. Charlotte (Marina Provenzzano), la fille de Fred et de Béatriz, mariée à un Français volage, [&#8230;]</p>
<p>L’article <a href="https://www.profession-spectacle.com/o-grande-circo-mistico-cent-ans-de-multitude/">« O Grande Circo Místico » : cent ans de multitude</a> est apparu en premier sur <a href="https://www.profession-spectacle.com">Profession Spectacle</a>.</p>
]]></description>
		
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